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<channel>
	<title>Minqi Sun &#124; 孙敏祺</title>
	<link>https://sunminqi.com</link>
	<description>Minqi Sun &#124; 孙敏祺</description>
	<pubDate>Sat, 06 Apr 2024 20:29:44 +0000</pubDate>
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	<item>
		<title>Front page</title>
				
		<link>https://sunminqi.com/Front-page-2</link>

		<pubDate>Wed, 18 Jan 2023 12:41:28 +0000</pubDate>

		<dc:creator>Minqi Sun &#124; 孙敏祺</dc:creator>

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		<description>
	

//孑孓相看两不厌，只缘身在此山中。
你好呀。

hello 🙂.






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	<item>
		<title>About</title>
				
		<link>https://sunminqi.com/About</link>

		<pubDate>Wed, 18 Jan 2023 12:41:28 +0000</pubDate>

		<dc:creator>Minqi Sun &#124; 孙敏祺</dc:creator>

		<guid isPermaLink="true">https://sunminqi.com/About</guid>

		<description>Minqi Sunbased in Stuttgart and Shanghai1988 — now



cv

education

2017&#38;nbsp; &#38;nbsp; 
Diplom, State Academy of Fine Arts Stuttgart, Germany

2011 -2017&#38;nbsp; &#38;nbsp; studied Fine Arts at the&#38;nbsp;

State Academy of Art and Design Stuttgart, unter Prof. Werner Pokorny / Prof. Thomas Bechinger, Germany

2010&#38;nbsp; &#38;nbsp; 
Bachelor, China Academy of Art, Hangzhou/China

2006 - 2010&#38;nbsp; &#38;nbsp; 
Studied Glass at China Academy of Art, Hangzhou/China


Founder and director

zoewansh &#124;&#38;nbsp;草乙载万殊&#38;nbsp; &#38;nbsp;-&#38;nbsp; &#38;nbsp;www.zoewanshu.com 

//Interview and project with young oriental artists living in Europe






 &#38;nbsp;




Awards

2023&#38;nbsp; &#38;nbsp; Projektförderung des Kulturamtes der Stadt Stuttgart, for Project „let‘s talk about“2022&#38;nbsp; &#38;nbsp; Stipendium des Ministeriums für Wissenschaft, Forschung und Kunst für Künstlerinnen und Künstler im Zusammenhang mit der Corona-Pandemie, Land Baden-Württemberg/DE2021&#38;nbsp; &#38;nbsp; Stipendium des Ministeriums für Wissenschaft, Forschung und Kunst für Künstlerinnen und Künstler im Zusammenhang mit der Corona-Pandemie, Land Baden-Württemberg/DE




Prizes

Zwiesel Kölbl 2015, European Young Talent Award for Glass Art, Zwiesel/DE





Art in public space

2023&#38;nbsp; &#38;nbsp; 
The Rainstorm is the Hair of the Light, Installation, Bushaltestelle Schwabstraße, Stuttgart

2022&#38;nbsp; &#38;nbsp; 
Taking Part, Installation, lightboxes in Arnulf-klett-Passage, Hbf Stuttgart

Solo Exhibition



2025In the Shadow of Melting, Ping Rodach contemporary, Munich/DE


2021&#38;nbsp; &#38;nbsp; Über-Gänge, Kleinste Galerie in Degginger, Regensburg/DE
Ein Echo im Raum, Projectroom@Lesmeister, Regensburg/DE


Group exhibition

2024
same same but different, Galerie Wiedmann, Stuttgart/DE
2020&#38;nbsp; &#38;nbsp; 
Superpartner, online Exhibition (www.zoewanshu.com/show-space/superpartner/)

2019&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Intersektion, HuMBASE, Stuttgart/DE

2018&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Resonanz-Junge Chinesische Künstler in Deutschland, Kunstraum Villa Friede, Bonn/DE

2017&#38;nbsp; &#38;nbsp; 
Diplomausstellung, AdBk-Stuttgart/DE

2016&#38;nbsp; &#38;nbsp; 
Thomas Went to the Market – a take away show, Kunstverein Geislingen/DE

2015&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Why We Love Dialogue (And You should, Too), Streitfeld Projektraum, Munich/DE











	Front Page
	
	sunminqi@gmail.com, minqi_ipnim
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		<title>Text</title>
				
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		<pubDate>Thu, 29 Feb 2024 23:36:00 +0000</pubDate>

		<dc:creator>Minqi Sun &#124; 孙敏祺</dc:creator>

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		<title>14 - the rainstorm is the hair of the light</title>
				
		<link>https://sunminqi.com/14-the-rainstorm-is-the-hair-of-the-light</link>

		<pubDate>Thu, 29 Feb 2024 12:59:00 +0000</pubDate>

		<dc:creator>Minqi Sun &#124; 孙敏祺</dc:creator>

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{ the Rainstorm is the Hair of the Light }
{ 暴雨是光的头发丝 }

art in public space / 公共空间艺术installation + performance(busstation: Schwabstraße, Stuttgart west, Germany)
2023









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		<title>13 - fragment</title>
				
		<link>https://sunminqi.com/13-fragment</link>

		<pubDate>Sun, 18 Feb 2024 21:46:13 +0000</pubDate>

		<dc:creator>Minqi Sun &#124; 孙敏祺</dc:creator>

		<guid isPermaLink="true">https://sunminqi.com/13-fragment</guid>

		<description>
&#38;nbsp; { Fragment }
{ 碎 片 }
series
acrylic, wax, resin, photos, clay on board
since 2021
&#60;img width="2000" height="2666" width_o="2000" height_o="2666" data-src="https://freight.cargo.site/t/original/i/7102bf1d3750788fb17709358362859b5b07d25fda3da5db6f0e4465cf98545c/Fragment--ladder-x-.jpg" data-mid="204929112" border="0"  src="https://freight.cargo.site/w/1000/i/7102bf1d3750788fb17709358362859b5b07d25fda3da5db6f0e4465cf98545c/Fragment--ladder-x-.jpg" /&#62;
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</description>
		
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		<title>12 - 28 days</title>
				
		<link>https://sunminqi.com/12-28-days</link>

		<pubDate>Sat, 06 Apr 2024 20:29:44 +0000</pubDate>

		<dc:creator>Minqi Sun &#124; 孙敏祺</dc:creator>

		<guid isPermaLink="true">https://sunminqi.com/12-28-days</guid>

		<description>


	
&#60;img width="1690" height="1265" width_o="1690" height_o="1265" data-src="https://freight.cargo.site/t/original/i/76336e9db2d8789be6c31d2012fdd8f1fb71ae8d715323743ac170c2e3347997/taking-part---day1-3.png" data-mid="208426123" border="0"  src="https://freight.cargo.site/w/1000/i/76336e9db2d8789be6c31d2012fdd8f1fb71ae8d715323743ac170c2e3347997/taking-part---day1-3.png" /&#62;
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{ 28 days }Installation in public spacein Arnulf-klett-Passage, HbfStuttgart2022
The noticeboard lightbox at the Arnulf-Klett-Passage at Stuttgart railway station has three sides around a support column, and I've ‘disguised’ all three sides as windows.

The two smaller ‘windows’ give a view from the outside, while the larger window gives a view from the inside, ‘outside’ being the forest in winter. It was like a room.

Each window had a thin white curtain that seemed to give a view of the ‘room’ inside. I placed a small plant from my own windowsill, an ashtray, a cup of coffee,&#38;nbsp;an inward-facing photo frame (yes, there was no angle from which one could see the photographs inside), a lit candlestick, and a wooden stick on the ‘windowsill.’

From time to time during the month of the exhibition, I added or replaced things. For example, the ashtray was stuffed with cigarette butts every few days; the exhibition took place in February, and I put in a Valentine's Day rose and a love letter folded into a ‘thousand paper cranes’, a real love letter; and by the end of the exhibition, on 28 February, the forgotten cup of coffee was already full of mould. This ‘someone's’ February was so uneventful that I wondered if anyone at this busy railway station would ever find this boring daily story.






	


	




	



斯图加特火车站 Arnulf-Klett-Passage 的告示牌灯箱有三面，围绕着一根支撑柱，我将三面都 “伪装 ”成了窗户。
两扇较小的 “窗户 ”可以从外面看到里面的景色，而较大的窗户则可以从里面看到外面，“外面 ”是冬天的森林。这就像一个房间。
每扇窗户上都有一块薄薄的白色窗帘，似乎能让人看到里面的 “房间”。我在 “窗台 ”上放了一盆自己窗台上的小植物、一个烟灰缸、一杯咖啡、一个朝内的相框（是的，没有任何角度可以看到里面的照片）、一个点燃的烛台和一根木棍。
在展览的一个月里，我不时地添加或更换一些东西。比如，烟灰缸里每隔几天就会塞满烟头；展览在二月举行，我放了一朵情人节玫瑰和一封折成千纸鹤的情书，一封真正的情书；展览结束时，也就是 2 月 28 日，那杯被遗忘的咖啡已经长满了霉菌。这个 “某人 ”的二月是如此平淡无奇，以至于我怀疑在这个繁忙的火车站是否会有人发现这个无聊的日常。




	
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热</description>
		
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		<title>11 - today is a good day</title>
				
		<link>https://sunminqi.com/11-today-is-a-good-day</link>

		<pubDate>Wed, 15 Nov 2023 00:45:23 +0000</pubDate>

		<dc:creator>Minqi Sun &#124; 孙敏祺</dc:creator>

		<guid isPermaLink="true">https://sunminqi.com/11-today-is-a-good-day</guid>

		<description>
	&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/0c62f51ba048441ea8e65a467160656fce71c8a9d57a28e456fb8ce9090729ad/vlcsnap-2021-07-15-20h15m57s131.png" data-mid="204913601" border="0" data-scale="100" data-no-zoom src="https://freight.cargo.site/w/1000/i/0c62f51ba048441ea8e65a467160656fce71c8a9d57a28e456fb8ce9090729ad/vlcsnap-2021-07-15-20h15m57s131.png" /&#62;


{&#38;nbsp; Today is a Good Day&#38;nbsp; }a tour in Regensburg
1 ch., 22'44"2021

online：

today is a good day 720p.mp4



（↑ code: domi）





	

{Today is a good day} 是我在雷根斯堡做的一个短期驻地作品。利用Google Earth的3D城市模拟地图，以第一视角在虚拟城市漫游，并且记录漫游的路线和被AI模糊或者扭曲化的街景，然后持相机沿模拟路线重走一遍真实城市空间，并拍摄真实空间中发生的细节。对雷根斯堡这个城市我并没有太多了解，我想在这种未知的状态下，在虚拟的网络构架空间内来“了解”它，通过维基百科、网络打卡照片、Google街景等实现。这正好符合在corona期间人们试图了解世界的方式，或者反过来说，疫情加强了网络作为现代人认知世界的方式的现状。这种方式显得干净利落，就像在Google Earth里一样，我不需要任何其他游客的存在，依靠模拟的建筑细节中我已经感受到了雷根斯堡的历史和现在的朝气。但我知道这离真正的城市相去甚远。另外一方面，作为游客在真实的雷根斯堡漫游一天，看到了已经修缮一新的石桥、打满脚手架的大教堂，满大街的Cafe等等，却也不能与“了解这个城市”划上等号。两种方式都在失去城市的细节。但有意思的是，虚拟和现实的差异随着一些记忆和想象混淆了，譬如这空空如也的3D大街图像，在疫情泛滥的几个月里真实上演着，它牵动着人们对城市、时代的记忆。{Today is a good day} is a short residency I did in Regensburg. Using Google Earth's 3D city simulation map, I roamed around the virtual city from the first point of view and recorded the route and the street scenes blurred or distorted by the AI. I then retraced my steps along the simulated route with a camera and photographed the details of what was happening in the real space.



I didn't know much about the city of Regensburg. I wanted to 'get to know' it in this unknown state, in a virtual networked space. This was realised through Wikipedia, webcam photos, Google Street View, etc. This is in line with what happened during the corona. This is in line with the way people tried to understand the world during corona, or conversely, the epidemic reinforced the status quo of the internet as a modern way of knowing the world. The approach seemed clean and clear, like in Google Earth, I didn't need the presence of any other visitors, relying on the simulated architectural details in which I already got a sense of Regensburg's history and current vibrancy. But I knew it was far from the real city. On the other hand, as a tourist, roaming around the real Regensburg for a day, seeing the restored stone bridges, the cathedral with all its scaffolding, the street cafes and so on, is not the same as "getting to know the city". Both approaches are losing the details of the city.



But it is interesting that the difference between the virtual and the real is confused with some memories and imaginations. For example, this 3D image of an empty street, which was real during the months of the epidemic, is a reminder of the city and its times.


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		<title>10 - solace room</title>
				
		<link>https://sunminqi.com/10-solace-room</link>

		<pubDate>Mon, 09 Oct 2023 23:04:57 +0000</pubDate>

		<dc:creator>Minqi Sun &#124; 孙敏祺</dc:creator>

		<guid isPermaLink="true">https://sunminqi.com/10-solace-room</guid>

		<description>
	

{ Solace Room }
{ 慰藉室 }
mixed media
84x84x120 cm
2021

	

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我模拟母体制作了一个类似神龛的自疗空间，幻想一种变异的、感官的“生机”持续蓄力。
I simulated the matrix by creating a shrine-like space for self-healing,imagining a mutated, sensory "life force" that continues to create power.


	
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		<title>09 - a secret in on the corner</title>
				
		<link>https://sunminqi.com/09-a-secret-in-on-the-corner</link>

		<pubDate>Sat, 22 Jul 2023 13:27:16 +0000</pubDate>

		<dc:creator>Minqi Sun &#124; 孙敏祺</dc:creator>

		<guid isPermaLink="true">https://sunminqi.com/09-a-secret-in-on-the-corner</guid>

		<description>
	
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{ a secret of the corner } { 角 的 呢 喃 }wax on board / 蜡、木板39.5 x 33 cm, 32 x 46 cm2020


&#38;nbsp; &#38;nbsp;&#38;nbsp; 
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		<title>08 - dear Tear, dear Fear </title>
				
		<link>https://sunminqi.com/08-dear-Tear-dear-Fear</link>

		<pubDate>Wed, 19 Jul 2023 09:24:07 +0000</pubDate>

		<dc:creator>Minqi Sun &#124; 孙敏祺</dc:creator>

		<guid isPermaLink="true">https://sunminqi.com/08-dear-Tear-dear-Fear</guid>

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{&#38;nbsp; dear Tear&#38;nbsp; ,&#38;nbsp; dear Fear&#38;nbsp; }{&#38;nbsp; &#38;nbsp; 亲&#38;nbsp; 爱&#38;nbsp; 的 ，亲 爱 的&#38;nbsp; &#38;nbsp; }

mixed material50.5x39x40cm2020





	&#60;img width="1272" height="864" width_o="1272" height_o="864" data-src="https://freight.cargo.site/t/original/i/0bdcee5e6f96e529d5882c999206d9a39d4f22b61bb6f3a52b39211f49f7adfd/Dear-T---2-link-2.jpg" data-mid="185763291" border="0" data-scale="74" data-no-zoom src="https://freight.cargo.site/w/1000/i/0bdcee5e6f96e529d5882c999206d9a39d4f22b61bb6f3a52b39211f49f7adfd/Dear-T---2-link-2.jpg" /&#62;
	"我突然间开始观察卧室的那扇窗，是在一次午夜，我关上所有的灯透过那扇窗看透明的遥远的天。这是大概开始隔离的第三周，我发现我做梦的这个空间是这么单纯。我坐在卧室门口，正好是这个角度，还是午夜，开始做梦。""柔软的强势的幽灵就如此这般闯入了我的卧室，她好奇而小心，她吐露着泪珠和叹息，又混淆着周而复始的精卵，像大象一样安抚了我的惊恐，我们互相凝望确认了眼神，于是她把我吞下，呢喃'亲爱的，亲爱的，我们永世共存'。"[dear Tear, dear Fear] 是为了重现记忆里非常有时代意义的个人思绪。它与自2019年末开始的大流行病相关。面对突来的生命的不确定性，我们恐慌。那些消极又长尾的情绪始终弥漫在我们日常行为里，压缩在隔离的房间内，它们幻化成梦境种下种子。



	"Once in the middle of the night I suddenly began to observe the window in my bedroom. I turned off all the lights and looked through that window at the transparent and distant sky outside. This was about the third week of starting the isolation, and I realized that this space I was dreaming in was so innocent. I was sitting in the doorway of my bedroom at exactly this angle, still at midnight, and began to dream.
""The soft and strong apparition broke into my bedroom in such a way. Curious and careful, she spat out teardrops and sighs, confused with infinite sperm and eggs, and it soothed my panic like an elephant. We gazed at each other to confirm our eyes, whereupon she swallowed me, murmuring 'Darling, darling, we live forever'."

 

[dear Tear, dear Fear]

is meant to recreate a very contemporary personal thought from memory. It relates to the pandemic that has been going on since the end of 2019. We panicked in the face of sudden uncertainty of life. Those negative and long-tailed emotions always pervade our daily behavior, compressed in isolated rooms, where they morph into dreams planting seeds.





	
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